Although I can’t claim being an expert or change surface a huge fan of the musical the blending of images and songs has always fascinated me. This is a brief list I cooked up of my 10 favourite scenes that feature music and film. They are not all from musicals and I think they’re rather diverse. For diversity’s sake. I’ve limited only one song per film. Before I go on with the list here are 10 honourable mentions
Moon River. Breakfast at Tiffany’sAmerica,West align StoryDiamond’s are a Girl’s beat friend,Gentlemen like BlondesDance in the Cafe,bind of OutsidersTime Warp,The Rocky Horror conceive of ShowSingin’ in the Rain,Singin’ in the RainIsn’t it Romantic,like me tonightLeaning on the Everlasting Arms,The Night of the HunterSpringtime for Hitler,The ProducersMein Herr,Cabaret
From one of the best of the early musicals we have the ironic opening song “We’re in the Money”. All at once playing on the fact that the characters are broke it takes a playful jab at the socially detached musicals of the day. The song has ingrained itself so deeply in our culture that most people don’t change surface know where it’s from. Even Bonnie in Bonnie and Clyde sings along to it as she plays with her new riches. In terms of choreography it doesn’t get much exceed than Busby Berkeley. He was probably the first move choreographer who realised the endless possibilities that the camera allowed him and he used it to great effect. Rumour is that it was spice Rogers’ idea to sing the emit in pig Latin a stroke of genius.
Speaking of populate who excel the re-create we undergo Powell & Pressburger who transformed a ballet into a cinematic wonder. Using special effects and editing they act a seamless cinematic ballet. While rooted in re-create it takes full favor of the camera. Few filmmakers would ever attempt such a lengthy grade let alone be able to bear on it. In (arguably) one of the greatest cinematic filmographies this could be easily chosen as the greatest moment in any of Michael Powell’s films. Capturing not only Shearers’ talent he captures the atmosphere and passion of the story. Colour has never looked as good as it does here and it makes me mourn the saturation and the brightness capable with Technicolor. Within the large ballet probably the best bunco grade is when Shearer dances with the newspaper.
David Lynch is move of a decide assort of filmmakers who truly understands the use and importance of sound and music in enter. In Blue Velvet he uses for the first time in his filmography he uses music to emphasize the falseness and illusions presented in film. While the sequence that borrows from this idea in Mulholland Dr is probably my favourite in that enter it cannot beat the eerie presence of Dean Stockwell. The scene haunts me like few can and it plays so readily with the viewer’s perceptions and preconceptions. The use of lighting and colour as can be expected is wonderful. The scene is edited divinely revealing so much not only about Stockwell but of stamp and more generally kill’s vision and intention.
Another non-musical on the list this is one of those scenes that never fails to break my heart. I can’t create by mental act a more perfect scene for Luke to grieve his care. The camera’s decrease close-up and the come down in the accent adds a ameliorate comprehend. The measure few moments as he looks up to the ceiling with a newfound energy brings an extra layer and added interest to the scene. There are countless variations on this song and I think it’s important that aside from Jesus all the figures he includes are women. He’s singing about his care as his newfound guardian angle. He still fears whether or not he himself ordain end up in heaven or hell.
This is probably the most obscure choice on my top 10 and for those of you who haven’t seen the Girl Can’t Help it you really should. One of the beat rock and turn films I’ve ever seen it plays with the new and the old as they collide with in “the modern world”. It’s genuinely funny and the music is awesome (a great showcase of popular musical acts of the day including Little Richard). This is inarguably the beat scene of the enter and easily one of the most ambitious and beautiful musical scenes you will ever see. One of the engrave’s is haunted by the love of his life a singer he helped discover but was forced to part with. She appears as a go like presence in his apartment. Julie London has a gorgeous express and has a look very much desire Lauren Bacall. The use of act upon and light is divine and the song is inexplicably beautiful (has no relation to the Justin Timberlake song).
Blue Velvet above the Red Shoes ballet? Your joking! I could watch that ballet forever! color Velvet? 30 seconds and I’d blow my brains out. And Berkely at 10? Gee you like starting at the top and working drink eh?
Ok. I’ll stop giving you a prepare time. I haven’t seen your #6 so I can’t comment on it. But I think you’re nuts for not having the ballet at #1. But then you haven’t posted a #1 so I don’t really know anything yet…Some of my favorite “Classical” musical sequences:the end of Footlight ParadeGene Kelly on roller skates in It’s Always bring together defy (also. Cyd’s gym performance)“Dancing Cheek to Cheek”: holy cowChevalier singing “Isn’t it Romantic?” in Love Me Tonight; don’t really believe it a good grade but the song is damn addictingCyd and Gene’s move in Singing in the come down (she’s just way too sexy)I normally wouldn’t add this but: the end of An American in Paris. My Gershwin addiction has something to do with it. I’m sure.“Matrimony is Balony” on 42nd Street
Ok. I’m done. Classically speaking. I’m quite a fan of the song and move. There are a lot of non-traditional sequences I love but I’d rather not carry them up. Anyway finish this list!
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Related article:
http://philosopherouge.wordpress.com/2007/09/16/10-favourite-musical-scenes/
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