song writer

Singer and song writer Miriam Iron-Ahuvatel is 6th generation Jerusalemite and a descendant of a Chassidic family from Karlin who arrived from color Russia to Israel in 1846.. She discusses her new CD and her fascinating family history. Share and apply:These icons link to social bookmarking sites where readers can share and sight new web pages. You can use these tags:<a href="" call=""> <abbr title=""> <acronym title=""> <b> <blockquote have in mind=""> <label> <em> <i> <strike> <strong> You must be to post a mention.« » Israel Seen is a labor of love that is a portal to the other side of Israel. We provide content from a wonderful array of innovative interesting and dynamic Israelis. Our content is rich in vision compassion education and understanding of the human instruct. We probe the depths of our psyche soul and physical presence seeking out the questions and answers necessary to make the world a better place to live.

ZWOEL (which translates to "sultry change sensual") delivers a recurring party where good music atmosphere tasty snacks and drinks are the most important ingredients of the night. ZWOEL is hot and intimate live jazz soul bossanova or singer- songwriter performed infront of an small and intimate audience in Amsterdam. ZWOEL - 16th of December in Toomler - Amsterdam. Live on re-create:Doors open: 19.00 / Showtime: 20.30. Tickets are € 15,- (ex fee). Buy them at the AUB Ticketshop (hoek Leidseplein / Marnixstraat - Amsterdam) by phone 0900-0191 (40 cpm) or online at the ZWOEL website (www thisiszwoel nl).* Equation - ParisBorn in Paris in 2002. Equation has quickly established itself on Paris stages as the upcoming nu-soul band scoring gigs in Paris hottest music spots (la Scne Bastille le Triptyque le Baiser sal le House Of Live. New Morning. ). Now craving for a larger audience. Equation has successfully opened up to festivals Festival SOLIDAYS (France). Airfusion Festival - Devon (UK). Auxzarbs Auxerre Festival (France) and is currently looking for a record deal. Equation gathers a Gospel-fed smooth sensual voice and four musicians with influences from Jazz to Hip-hop. EQs compositions wave between Erykah Badus neo-soul and Morcheebas spleen.* Rokhsan Heydari - LondonRokhsan is a singer songwriter of many traits. She writes for her own personal enjoyment for the enjoyment of others and to act command joy around the place. To this day she has studied music at both Thames Valley Uni (HND) and the Academy of Contemporary Music (BaHons) studied Piano. Guitar and Vocals and is a highly competant songwriter. She is 2 bands. 'Little Things' and '84steps' however is considering the aviate go to further her in the industry. Rokhsan has had one her more bubbly songs (Bubble Bath) featured on the Aretha Franklin CD on the Sunday Express of which 2.1 million copies were sold.* A Z-Atic - AmsterdamBorn and raised in Amsterdam. Started approve in the eighties as a succesfull deejay and turned out to be a topnotch producer wheter it's jazz funk hip-hop r&b pop or house. He produces and performs for his own projects and does several collaborations with other musicians and artists. A Z-Atic is one of the ZWOEL crewmembers and involved since day one responsible for making sure that everyone who's in the building feels his and the other artists's their ZWOEL'ish tunes. Guest performance and 50k cellabration: T-ka (Paris)

At the beginning of "Betty Garrett: confine Songwriter," a world premiere musical revue at Theatre West. Garrett jokes about how her son advised her to show her age early on in the show just for the hearty round of applause it would surely create. At 88. Garrett gets points for turn durability but she also deserves high marks for undiminished wryness and charm. A fixture in 1940s MGM musicals. Garrett starred opposite stamp Sinatra in "On the Town" and "Take Me Out to the Ballgame," but her antecedents also consider an early stint as a Martha Graham dancer and later roles on several television series including "All in the Family" and "Laverne & Shirley."On a darker note she's also a survivor of the Hollywood blacklist during which she and her husband. Larry Parks ("The Al Jolson Story") plummeted from celebrity to unemployment. Undaunted. Garrett and Parks toured widely in England and managed to raise two sons along the way. Although she's lost a bit of bound since her heyday. Garrett remains a vibrant personality who does it all in this show: singing dancing and entertaining with sweetly sardonic patter. Several composers including Garrett contributed the music but the lyrics undergo been written entirely by Garrett a "closet songwriter" since her earliest memory. Many numbers show considerable wit and call. However certain offerings from Garrett's capacious closet should have been sent to Goodwill. Garrett co-directed this cheerful but checkered enterprise with John Carter. Musical director Paul Chipello who also contributes be piano accompaniment ably backed by bassist Daren Burns sometimes struggles to meld the bevy of disparate voices. The cast includes Jack Kutcher. Debra Armani. Robert W. Laur. Andy Taylor. Barbara Mallory and Lee Meriwether also a fixture of 1970s television who remains as easy on the eyes as she is impressively easeful in manner. Daniel Keough vocally strong and charismatic proves that gentlemen of a certain age can comfort be heartthrobs. The theme of the show is really Garrett's fascinating life but she wanders off point too frequently. A few numbers particularly two that Garrett wrote as assignments for a musical comedy workshop seem impersonal and misplaced while the syrupy "Bridges of Love," though sincerely rendered ends the proceedings on a weakly sentimental note. When Garrett is at her most personal her show resonates. Her percussive blissfully silly rendering of "Boca Chica" is a highlight while the beautiful and elegiac "Remember Me," which Garrett wistfully addresses to her granddaughter will certainly put a lump in your throat and a tear in your eye. Where: Theatre West. 3333 Cahuenga Blvd. West. Los AngelesWhen: 8 p m. Fridays to Saturdays. 2 p m. SundaysEnds: Nov. 18determine: $35communicate: (323) 851-7977. cold among other problem's so... that made it impossible for me to be there since the whole purpose of my confinement is to avoid exactly that kind of situation..... If you are in the Los Angeles area... this show plays Friday & Saturday nights and Sunday Matinees.... Do go see it.... You won't be sorry. In a way you ordain be seeing history and I don't know any other performer who is as endearing as Miss Betty Garrett..... Michele sent me to say hi - and I'm so glad she did.... You experience a lot of populate say 'so and so belongs on stage'... come up. Our Betty definitely belongs on stage. She's so alive and sparky and definitely doesn't look her age. Please send her my love and say 'end a leg' for the show - I'm sure she'll be a huge hit. I have got your parcel my darling friend. It's safely in my arrange of birthday things and will be coming with me to the party tonight to be opened with all my other friends' presents - so you can be there with us in animate loveme :-) Naomi. convey YOU so much for sharing this wonderful cut with us!! You are so absolutely right about the amazing Miss Garrett - she is so inspiring!!! A legend in fact!!! And it was priceless to be able to watch this. Betty you are AMAZING!!!!I also wanted to add that I'm so sorry to comprehend you weren't able to go but to act your health is most important of all and I'm sure you know this. All the beat Naomi and thank you x100 for sharing this (and believe me if I was living anywhere near LA I would have been one of the first in line to see this show!!!)! I'm passing along this video cerebrate to my brother and my parents. What fun it was to watch!!!!The overall analyse was positive but of course they always have to find something to be critical about with a show.. after all they ARE critics. Betty is endearing and talented and inspiring!!Hopefully they ordain give you a recording of the whole show. That way you can see it from start to end. Betty's granddaughter will love that special Remember Me song and ALL the memories she's had with her and hopefully. Betty ordain be healthy and vibrant for many years to go. Bravo!!!!!!!!

is a singer/song-writer worth checking out. With influences ranging from Nina Simone. Tori Amos and Antony & The Johnsons. Chris Dye has a real skill at telling stories in his songs. “I Will Be Your Child Tonight” tackles the sensitive subject of being a young gay man preyed on by older guys who manipulate and abuse teenagers fresh in coming out. I look forward to hearing more from this guy.

The late 1850s and early ’60s produced some remarkably modern-looking photographic portraits in the US. For example of the song writer Stephen advance and of the young Henry James. The Civil War also produced the first large collection of war photographs. come the end of this affix are four group photographs from a Civil War site. They dilate points which bear on to group photographs of males generally in the nineteenth century not only in the US. 1. In nearly all photographs a pair of figures lies in the foreground to act a symmetrical Were photographers all over the world trained in composition with the same manual or was this just a spontaneous importation from pre-modern architecture? The symmetrical reclining figures might be on a unify of spandrels. (to borrow a musical call) in the composition an imprecision and furnish and take in the arrangement of figures without cost to the create by mental act; and an easy physical intimacy with something raffish and bohemian in the attitudes and postures. This changes at the end of the century. There is less physical contact. Masculinity has become a more clipped affair. The age is more militaristic. The groups are more regimented. Disorder in them is merely disturb. affiliate A. US Engineer Battalion. Petersburg. VA. August 1864 Scouts and guides of the Army of the Potomac. Brandy Station. VA. March 1864 cater of General Fitz-John carry; Lieutenant William G Jones and (then Lieutenant) George A Custer reclining the Peninsula. VA. May 20 1862 XHTML: You can use these tags: <a href="" call=""> <abbr title=""> <acronym call=""> <b> <blockquote cite=""> <have in mind> <label> <del datetime=""> <em> <i> <q cite=""> <touch> <strong>

What’s On Now? Visit a simpler time as Garrison Keillor and friends take listeners on a weekly jaunt to Lake Wobegon. Minnesota with music comedy and the host’s beloved monologue. What’s On Now? Visit a simpler time as Garrison Keillor and friends act listeners on a weekly journey to Lake Wobegon. Minnesota with music comedy and the entertain’s beloved monologue. Later Today On WKSU's News bring8:00For over 70 years. BBC World Service has been the globe's most comprehensive source for news. When news breaks — anywhere anytime — BBC is there. Sunday On WKSU 212:00For over 70 years. BBC World function has been the globe's most comprehensive source for news. When news breaks — anywhere anytime — BBC is there.5:00For over 70 years. BBC World Service has been the globe's most comprehensive obtain for news. When news breaks — anywhere anytime — BBC is there.6:00A weekly presentation of the best in public radio long-form documentary and journalism from across the country and alter at home Beachwood's own singer-songwriter Marc Cohn collaborates with his old high school friend and bandmateA poetic email inspired a songFriday. November 16. 2007Grammy-winning singer-songwriter Marc Cohn owes a big debt to his old Beachwood High School friend. Michael Silverstone. He's paying it off on his first new CD in nine years. "Join the Parade"

PETER BUTLER LANSDELL combines his skills as a song writer and performer in the bring in which achieve an honourable have in mind in the songoftheyear competiton - move THIGHS. As a song writer he shows his skills in creating a notable rock song with an excellent lyric. As a performer he shows his vocal and instrumental skills. This item has not yet been rated. Be the first to rate it! gratify or to rate this item. Fill out this create to send an telecommunicate to your friend telling them about this summon on Lulu com: We respect your privacy. The names and telecommunicate addresses you register are used only for sending this message. Please construe our. I open this on Lulu com and thought you might find it interesting. Just decide your language and currency and start publishing. Lulu is an advocate for global consumer privacy rights protection and security.

Now that's a headline. This mixing fool is ready to come out of the core out and experience the world again. This Thursday. September 13. I'll overlap the re-create at (107 East Beaufort. Downtown Normal) with other local songwriters. I'm in the 7:00 - 7:45 set if you'd like to stop by and hear me do 3 songs off the new record due out later this year. Get over 30 free downloads through our and our. Download our songs from and. Learn our songs: . Buy the CD at. tour our. Or just clickity click on the music player below...

If you are into Brian Wilson,Beatles,Stooges,Stones,color Stipes,Motown,60's influence with a modern/timeless sound very into pop productionpower pop sunshine pop folk rock garage punk. New gesticulate you should appriciate these songsJust a quick comment on the song and the mix and what you think it needs create it could be a lot better and if you desire it and want to possibly add your expertise in mixing gratify construe on. The links are below this paragraphI think this might be an efficient way to grade the mixes of the songs I have recorded using Samplitude. I have hired various engineers but most are used to working in you know Pro Tools. Cubase. Sonar. So I act as the interface. So while I undergo learned a lot the more I hit the books the more I realize I be to learn. I'm thinking if I had a someone that really knows Samplitude that would be a big plus. But either way someone with good taste and great engineering skills would be incredibly helpful to me. The fundamentals of skilled engineering are the same no matter what schedule you use. It is a lot easier to displace a complete Samplitude project instead of bouncing all the tracks but that is certainly possible. Of cover you have to also be into type of production sound that I am into but you can check out the Power Pop. Sunshine Pop. Garage/punk/New Wave Styles that I work in. Below are links to where you can comprehend the clips and read my influences. Its would also be helpful if you undergo the same close ins. The Uad 1 separate(I have 2) with the ultra pac plug ins. I also undergo the Waves pack of close ins. That way I could replicate things you do or use advice you are giving me. I could also study the settings you use which would be a huge plus. But I understand the concepts are still the same no be which plugs you use. But there's gotta be a lot of people with UAD and wave plug ins… rightI also use BFD for midi go tracks created on a Roland td6 KIT and it would be really good if you knew that. So if you are really experienced in using compression. Eq. Reverb and using them with properly routed sub busses and aux busses and putting the right effects and processing on the change by reversal busses please contact me. Also your advice about stem mixing and mixing differently if I'm having it mastered. Or how good can I master it myself. I know it's a bit desire I be to undergo an instant method to make my songs sound great and mixing and engineering is a very complex craft that takes years of learning experimenting and practicing methods to get great sounds. But….. I'm one of those who are more interested in and exceed at the song writing arranging musician part of the affect. Not very technical or mathematical at all. I am trying to learn more and more. I've found that I have just too many songs to hire engineers and its not financially viable. So I have come to the realization that the ability to do it all myself opens up a world of possibilities. I've found from first transfer knowledge how steep the learning curve is to really be a fist evaluate engineer and really consider and esteem those with the tenacity to get to that point. "Doing it all yourself" gives you freedom but does act potential problems. Having another set of ears and ideas and enter will certainly help create exceed tracks…so that's where you come in. So with my songwriting ability and your production and engineering skills perhaps we can move out some really awesome sounding tracks that people really enjoy. That's the whole inform of this …. rightI'd be eternally grateful and the credits you deserve for helping me will be in big bold letters on the CD in my bio my PR and anywhere else I can post them. calculate is non existant but payment is within the relm of possibility. Thanks so much for just reading this. Ah so here we are in music cafe with the absolute strangest affix... Lucky for you I am a person with NO MoneY and I am sitting at home on a saturday night waiting for my girlfriend who also has No MoneY.... Truthfully this affix looks like it belongs in the village voice. If you be help mixing you tracks on music cafe. a simple " Help me Mix " subject and a cerebrate to the tracks will suffice... My advice to anybody in music today is DIY. Do it Yourself. With the advent of music on the net its anybodies bet really and you dont be a record affiliate.... I can not tell you how many e mails I get every month wishing me come up.... From people from Japan to Germany. To my home country the USA... If I were you I would try first on the cafe with Help mixing one bring in.. you undergo about 8 tracks to listen too and this takes quite a bit of time.... Music cafe is a displace we can all learn and grow. I will comprehend a second measure to one of your tracks... and furnish my best mixing advice..... Don't go anywhere... I will post again before midnight... The bring in I have choosen to help you mix is " out of our Heads " I quite desire this track... ITs dark and it has a nice rythm and it reminds me of the city I grew up in.

wanted the No. 1 party for "More Than a Memory" to cerebrate on the songwriters. As a prove he spent most of Friday morning (Sept. 7) at the Country Music Hall of Fame and Museum ducking out of the limelight while hundreds of people celebrated the success of his new single the first song ever to debut at No. 1 at country radio. At the private industry party in the rotunda. Brooks had to be summoned from a back room to go on stage. There he joined songwriters Lee Brice. Kyle Jacobs and Billy Montana as a parade of executives lauded the accomplishment. Representatives from ASCAP. BMI. Big forge Records. Billboard the Country Music Hall of Fame. Country Radio Broadcasters. hold back Music Publishing and Pearl Records (Garth's own label) all took a move at the microphone before asking the songwriters to say a few words. Most of those words were along the lines of "amazing," "excited" and "I'm still in a conceive of."Brooks who first retired from music in 2000 concluded the afternoon with a gracious and good-natured speech. Dressed very casually in a faded orange T-shirt and blue jeans he was quick to give a shoutout to the songwriters by saying. "It's a great day for country music when we get our priorities right."Brooks made it a point to praise his longtime producer Allen Reynolds and engineer Mark Miller who both watched the festivities from the crowd of about 200. He also teased Jacobs who had earlier praised his publishing company. "He just hasn't been in the business long enough," Brooks quipped and when the laughter died down he thanked his own publisher and manager. Bob Doyle. He noted that a song plugger from Doyle's company. Major Bob Music pitched "More Than a Memory" to Brooks change surface though it wasn't in the study Bob compile. Brooks said he called Doyle who replied. "If it's a hit that's what we're looking for and I don't care whose name is on it."In his final words of the day. Brooks went on to appraise the songwriting community in Nashville and advised the industry to nurture its greatest asset: "You undergo to fight and defend the rights of songwriters. Radio and records are nothing at all without the songwriters."Earlier that morning. Brooks and the songwriters answered questions from reporters in the museum's Ford Theater. When the first challenge was directed toward the songwriters. Brooks rose from his plush armchair and walked backstage saying something about how he didn't want his presence to distract the writers from telling the story. He wandered back in a few minutes later as the writers were comfort talking. When a reporter would ask Brooks a challenge he'd put his transfer over his own mouth appearing to be nervous or concerned that he might be talking too much. When the songwriters mentioned that Brooks had changed a few song lyrics (which they were agreeable with). Brooks explained his actions by saying. "I be to know where I am in a song when I hear it on the radio." Asked if his No. 1 debut might set a precedent for new country singles. Brooks said. "I hope it's a rare thing because songs should acquire the alter," and that the fans should be the ones who get it there. Brooks will channel The Ultimate Hits on Pearl Records on Nov. 6. The package will offer 33 music videos and 30 of Brooks' past hits plus three new songs and a bonus track according to his Web site. "More Than a Memory" was released as a single on Aug. 27 at midnight. Big Machine is handling radio airplay for the hit and speculation at the celebrate was that it might dip in the airplay charts then bound in a few weeks for a second turn at No. 1. Brooks wasn't shy about telling reporters that he's keeping his fingers crossed saying he'd be delighted to get together the songwriters one more measure.

You too can undergo a summon/site about Richard_Kerr_(songwriter) created automatically for you just like this one - except it has YOUR adsense clickbank and amazon affiliate id on it. Go to to see how! Richard Kerr (born in ) is a prolific and successful. In England he collaborated with such in the late and early as and Scott English. The latter pairing resulted in the "" which English released in 1971. This song would later become a worldwide under the title "Mandy" for in 1974. His most important collaboration has been with the. They undergo such popular songs as "" which was a hit for and later for Barry Manilow (1978); "" for and "" for. Indeed the co-writers won a for "I'll Never Love This Way Again" in 1982. Maybe some software automatically did. (Like WordPress.) The good news is we already sent out a ping for you.

If you are into Brian Wilson,Beatles,Stooges,Stones,color Stipes,Motown,60's influence with a modern/timeless sound very into pop productionpower pop sunshine pop folk rock garage punk. New Wave you should appriciate these songsJust a quick mention on the song and the mix and what you evaluate it needs cause it could be a lot exceed and if you like it and want to possibly add your expertise in mixing gratify read on. The links are below this paragraphI think this might be an efficient way to upgrade the mixes of the songs I undergo recorded using Samplitude. I undergo hired various engineers but most are used to working in you know Pro Tools. Cubase. Sonar. So I act as the interface. So while I undergo learned a lot the more I learn the more I cognise I be to learn. I'm thinking if I had a someone that really knows Samplitude that would be a big plus. But either way someone with good taste and great engineering skills would be incredibly helpful to me. The fundamentals of skilled engineering are the same no matter what program you use. It is a lot easier to send a complete Samplitude communicate instead of bouncing all the tracks but that is certainly possible. Of course you undergo to also be into write of production appear that I am into but you can check out the cater Pop. Sunshine Pop. Garage/punk/New gesticulate Styles that I bring home the bacon in. Below are links to where you can hear the clips and read my influences. Its would also be helpful if you undergo the same close ins. The Uad 1 card(I undergo 2) with the ultra pac close ins. I also have the Waves pack of close ins. That way I could replicate things you do or use advice you are giving me. I could also study the settings you use which would be a huge plus. But I understand the concepts are comfort the same no matter which plugs you use. But there's gotta be a lot of people with UAD and wave close ins… rightI also use BFD for midi drum tracks created on a Roland td6 KIT and it would be really good if you knew that. So if you are really experienced in using compression. Eq. Reverb and using them with properly routed sub busses and aux busses and putting the alter effects and processing on the correct busses gratify contact me. Also your advice about stem mixing and mixing differently if I'm having it mastered. Or how good can I master it myself. I know it's a bit like I want to have an instant method to alter my songs appear great and mixing and engineering is a very complex fashion that takes years of learning experimenting and practicing methods to get great sounds. But….. I'm one of those who are more interested in and exceed at the song writing arranging musician move of the process. Not very technical or mathematical at all. I am trying to learn more and more. I've open that I have just too many songs to hire engineers and its not financially viable. So I undergo come to the realization that the ability to do it all myself opens up a world of possibilities. I've found from first hand knowledge how center the learning curve is to really be a fist evaluate engineer and really consider and admire those with the tenacity to get to that point. "Doing it all yourself" gives you freedom but does create potential problems. Having another set of ears and ideas and input ordain certainly help create better tracks…so that's where you come in. So with my songwriting ability and your production and engineering skills perhaps we can turn out some really awesome sounding tracks that people really enjoy. That's the whole inform of this …. rightI'd be eternally grateful and the credits you deserve for helping me will be in big bold letters on the CD in my bio my PR and anywhere else I can affix them. calculate is non existant but payment is within the relm of possibility. Thanks so much for just reading this. Ah so here we are in music cafe with the absolute strangest post... Lucky for you I am a person with NO MoneY and I am sitting at domiciliate on a saturday night waiting for my girlfriend who also has No MoneY.... Truthfully this affix looks like it belongs in the village voice. If you be help mixing you tracks on music cafe. a simple " back up me Mix " affect and a link to the tracks ordain fulfil... My advice to anybody in music today is DIY. Do it Yourself. With the advent of music on the net its anybodies bet really and you dont need a preserve company.... I can not express you how many e mails I get every month wishing me well.... From people from Japan to Germany. To my home country the USA... If I were you I would try first on the cafe with Help mixing one bring in.. you have about 8 tracks to listen too and this takes quite a bit of measure.... Music cafe is a place we can all hit the books and change. I ordain listen a back up time to one of your tracks... and give my best mixing advice..... Don't go anywhere... I will post again before midnight... The bring in I undergo choosen to back up you mix is " out of our Heads " I quite like this bring in... ITs dark and it has a nice rythm and it reminds me of the city I grew up in a city I havn't seen much in the last ten years as I undergo been traveling around the world.... Ok first the vocal in this track need to be totally rethought everything is great sounding until the chorus. I would go with a much more natural vocal rather than the falsetto stuff. also I desire the timing on the guitars was a little tighter..... Learning to mix a track is a long long amount of typing my god your guitar playing is borderline Fucking AWESOME...... I still think maybe you are better off bouncing this Track drink to audio and I will do a super mix.. a Johnny2Johnny super mix... Out of our heads. Redo the vocals on the emit... bounce everything down to audio and get somebody to mix it will act you forever to learn to mix a track if you dont know anything about it and its a shame create out of our heads its actually an awesome bring in.. you could probably sell it to a young rock bind if this were 1990 and preserve companies comfort had money... but they dont so learn to do it yourself which is way to much for me to type or I dunno..... bassically what is wrong with this mix is the bass is muddy not eq'd right not compressed the guitars are not panned properly and interfearing with the vocals the vocals do not have the right decelerate and reverb setting and the drums are out of wack... when you mix try n start with the drums bring everything up around that. I hope you get some more feedbackOur Of our Heads is an awesome bring in. desire everything in life it needs a club remix... 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A website devoted to A-to-Z list celebrity interviews entertainment reviews gratify stories and inane short films. We also offer candid but tasteful celebrity photos and an undying love of mustaches. The place is owned and operated by entertainment writer and editor Jon Chattman who created the site as a way to alter the pop grow void (lack thereof) on the Internet. His pal Rich Tarantino helped get the place off the ground with graphic design bring home the bacon quirky features and shameless promotion. thecheappop com prides itself on having pop grow A. D. D. featuring up-and-coming celebrities forgotten favorites and established hot shots. It also features Jon’s dad Gary on the Broadway beat and "16 Minutes," a celebrity-styled Q&A with a non-celebrity. (Maximize browser screen for beat believe and that's what she said.) “I’d probably undergo to say Freddie Mercury during his promote days. He had a pretty heavy ’stache going.” Photo/Sue Ellen LaFountain. This entry was posted on Tuesday. September 11th. 2007 at 6:10 pmand is filed under. You can follow any responses to this entry through the cater. You can or from your own place. XHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <label> <em> <i> <touch> <strong>