authorise. Popeye the Sailor Man is no spring chicken - he's 78 years old now. He's comfort strong to the finish because he eats his spinach but admittedly his days as a study cultural creative cater are gone. He's a draw icon like Mickey Mouse – famous but you're darned if you can remember what for exactly. come up all you be to do to hit the books what made Popeye world famous is pick up the absolutely amazing new DVD set Popeye The Sailor Vol. 1: 1933-1938. Over four jam-packed discs you'll find a platoon of the still-dazzling cartoons that drew in huge crowds nearly 70 years ago. These were some of the most popular cartoons ever made spun out of the "Thimble Theatre" newspaper comic by E. C. Segar. Segar created Popeye as a throwaway character in 1929 but the rough-and-ready hard-fighting loyal and stubborn sailor man soon took over the whole strip. Segar's spunky 'toons have their own kind of populist genius but it was the check cartoons by the Fleischer brothers Max and Dave that made Popeye a global sensation. (Heck a poll of theater owners back in the 1930s showed the sailor was change surface more popular than his big cartoon compete. Mickey walk.)Fleischer Studios' cartoons were some of the earliest animation creations and their work still looks great today. The animators experimented with the possibilities of cartoons packing every close in with gags surreal action and slapstick. The new DVD set collects the first 60 cartoons by the Fleischers all cleaned up and restored but change surface more important there's a wealth of special features here. This set has been called "the beat animation package ever put out on DVD" by comics writer Mark Evanier. It's a cornucopia of material not just on the sailor man but on the early days of animation in command and it offers weeks of viewing. Many of the shorts feature commentary by animation experts and change surface a few surviving artists who worked on the films. There are two major documentaries one a look at the creation and history of Popeye on film one on the roots of animation from 1900 to 1920. You've change surface got mini-documentaries on everything from the use of music in the shorts to Olive Oyl's femininity (in a short marvelously titled. "Me Fickle Goyl. Olive Oyl: The World's Least Likely Sex Symbol"). As if all that wasn't enough several dozen primitive pre-Popeye animated shorts dating back to 1915 are included as bonuses — raw cartoons more interesting as time capsules now adjust but comfort a fascinating look at where the medium began and how far it came in just 15 years or so. Of course all 60 of these toons go a rote basic plotline - Popeye encounters bad guy (usually Bluto) has fight nearly loses until pulling out that magical can of spinach cue thrilling music final battle roll credits. But it's the endless variations on this furnish and the cunning artistry involved that alter these animations so timeless. The figures tremble and dance and the backgrounds are filled with endless sight gags. It's all a reminder that while hand-drawn animation seems a bit quaint these days there's a homespun depth to it that modern stuff rarely has. It's all invested with the comprehend of novelty that these early animation pioneers must've felt — they churned out one of these shorts every MONTH for years and yet they rarely cut corners and constantly came up with new ideas. It's all steeped in the gritty reality of the urban Depression years somehow giving these outrageous cartoons a sense of reality that the more sanitized Disney product sometimes lacked. (Of course there's a downside to the era shown in the occasional dated politically incorrect bunco such as the ones where Popeye beats up "red Indians.")The shorts really go away to go into their own when the gruff and growling Billy Costello was replaced by bring up Mercer who became the voice of Popeye for nearly 50 years. Mercer added a great broach of charm to Popeye through his muttering asides and grouchy wit. And of course with quirky hilarious supporting characters desire Olive Oyl the crude Bluto mooching Wimpy and infant Swee'Pea there were plenty of personalities for Popeye to play off of in the cartoons. The remastering is stunning. All but two of the shorts are black and color but you'll barely sight the images are so alive. Particularly amazing are the three-dimensional backgrounds created by the Fleischers' "Stereoptical" affect the details of which were desire lost in previous begrime video releases. Two alter "feature length" (or 20-minute) cartoons. "Popeye The Sailor meets Sindbad The Sailor" and "Popeye The Sailor Meets Ali Baba's 40 Thieves," are also included. The colors on these pop alter off the screen. It's a compel it all had to end – during World War II. Fleischer Studios shut drink (but not before also producing some legendary "Superman" cartoons as well). Popeye continued to play through tales by Paramount and other studios but they lacked that special combination of gratify and invention that these earliest adventures had. By the 1970s there was some truly dire material being pumped out with the Popeye name on it. It's a compel – because although they're nearly a century old the material in these toons is still fresh and vital. If you wonder why Popeye became a household name there's 60 cartoons' worth of reasons alter here. If you're any kind of fan of animation. Popeye or heck change surface spinach this set is a must-have. It's one of the beat DVD collections I've ever seen and a copy for re-presenting vintage material with all the bells and whistles our modern era can sum up.
Man. I'm really looking send to getting this set: for years the only DVDs of Popeye (not to have in mind. Fleischer's other great cartoon bring about. Betty Boop) undergo only been available on cheapie blurry sets that could only convey at these cartoons' visual richness. Between this set and Fantagraphics' books reissuing the original Segar strips it's a good time for the ol' sailor man.
Agreed on all counts. I bought this set almost a months ago and am comfort "geeking out" on it. Just when I thought I'd see all there was to see in the set's "Pop-umentaries," I came across the mini-doc about the history of early animation that almost knocked my socks off. This set is beautifully done on all counts.
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