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"E-book Writer" posted by ~Ray
Posted on 2008-11-23 12:23:06

I have a ebook retail website and I need someone who can write ebooks for me. The categories will range from A-Z some ebooks will be informative,educational,entertaining and much more. I will provide the Title's topics and some of the general information for the particular ebook. For some books I may need more from the writer as far as information to compile in the book Example:(If i need a book written on how to drive traffic to your site) I need the writer to put the book in adobe converter pdf format. I will be the author of the ebook and hold copyright. This will be an ongoing job as I have great demand for these books. I would need 3-5 per week. Thanks,

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"Super Resource for Children?s Book Authors" posted by ~Ray
Posted on 2008-10-05 02:26:27

If you create verbally children’s books you want to look into Lookybook. Lookybook allows you to see fully illustrated children’s books in their entirety – from cover to cover. The pages turn as smoothly as if you were holding the book in your hand allowing customers to review any book on the place before making a buying decision. They can also comment on or leave a review on any of the books they browse through. If you are a self-published author or illustrator. Lookybook has something called Lookytools that enable you to back up your books online through your own blog or website. This is an exciting innovation for people involved in the Children’s Book industry folks and it opens whole new avenues of opportunity. You go to for more information or read more about it in the Every author and illustrator knows the drill: a picture book comes out and if you are lucky it gets face-out placement on the bookstore shelves for the first few months then it gets shelved spine out if at all and that is the end of the life of your book as we know it. Beginning today a California-based startup company unveils Lookybook an interactive book community Web site that enables people to look for through hundreds of picture books and post comments about them before deciding whether to purchase the book on Amazon. (They are also looking into working with independent bookstores through Book Sense.) Lookybook is the brainchild of Craig Frazier an author and illustrator of picture books who became frustrated by the display cycle. Frazier wanted to furnish more picture books a better come about of finding readers and hit upon the idea of creating a Web site that could help them be in print. “It occurred to me as I watched these books that the marketing and sales opportunities dwindled over measure through no accuse of the publisher,” Frazier said. “There was no apparent place on the Internet where you could have the experience of looking at a picture book as in the bookstore.” Lookybook is making the program free to publishers for the first year because as the founders adjudge they are not sure how the site will affect book sales. About a year ago. Frazier met Craig Virden a children’s publishing veteran and former head of Random House Children’s Books. The two teamed up with designer Ron Chan who created the site’s proprietary software that animates entire picture books and allows them to be browsed online. Frazier and the company are based in Mill Valley. Calif. so it fell to East Coaster Virden to spread the word about Lookybook to publishers. account Boedecker publishing director of children’s books at enter admitted he was skeptical at first. “It’s showing the whole book online; it’s more than just a peek inside,” he told PW. Now Boedecker said he sees Lookybook as a means for publicity and a great way to promote backlist titles online which Boedecker believes most picture book publishers have been trying to do. “We’re all sort of standing and looking out wondering who’s going to go first,” Boedecker said. He thinks that Lookybook with its peer-to-peer analyse ability and user-created bookshelves will serve as a conceive of book separate for site visitors. At Holiday accommodate v-p of marketing Terry Borzumato-Greenberg said Lookybook offers a way to “showcase books that has not existed before.” Librarians educators parents and grandparents can check out a book for themselves and then read what others have said about it before deciding to buy the book she said. Since browsing the full titles online can’t compare to the cozy feeling of curling up with a physical book. Borzumato-Greenberg does not evaluate that Lookybook ordain steal potential picture book sales. And because there was no rush to be involved for the first year she said Holiday House saw “no downside.” “It’s a new frontier,” said Frazier. “We may be able to bring a book send that hasn’t been seen in years. The goal of this is to act a broadened level playing field for picture books.” “There’s been an interesting amount of enthusiasm,” Virden added. “At least we are taking a shot at something new.” He hopes that once publishers realize Lookybook can convey the pictorial essence of a picture book without duplicating the physical experience of reading one they will appreciate the promotional and marketing opportunities the site offers. “You can’t buy what you can’t see,” he said.

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http://writersreport.wordpress.com/2007/11/16/super-resource-for-children%E2%80%99s-book-authors/

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"Buy my book, or else" posted by ~Ray
Posted on 2008-07-01 07:22:17

In two weeks I’ll be performing the most dreaded task facing a writer with a new book — going out to bookstores and libraries and pitching the thing feeling like a snake-oil salesman with no talent for selling. It’s not that I’m shy about standing and delivering in lie of an audience of strangers — it’s the distinct possibility that there may be no audience at all. That’s what happens when you’re a “midlist” compose not a best-selling novelist and buddy of Oprah. You’re lucky to displace half a dozen people and even luckier if three of them buy your book. More than once I’ve shown up to a wildly cheering throng of absolutely no one shaken the hand of the bookstore clerk and departed with my tail between my legs. A writer of my acquaintance had the beat possible experience of this kind. A big chain bookstore in Seattle decided it just had to undergo him do an autographing so his publisher at great expense flew him out from Chicago and put him up in a hotel. But the event was not very intelligently scheduled for kickoff time during a Seahawks domiciliate game at the nearby stadium and so the bookstore was alter except for a scruffy bring together the writer described as “aging hippies.” But the show always goes on. For twenty minutes the writer pitched his book reading selected passages and inviting questions afterward. “come up thank you for coming,” the writer said. “I wish you enjoy the book.” This writer does not let go of a potential reader easily. “If I buy the book for you,” he said. “and autograph it ordain you act it domiciliate and read it?” I’ll be showing a Keynote (the Mac equivalent of PowerPoint) presentation with photographs of Lake Superior and the Upper Peninsula and my Lady Friend will be reading from the book: Saturday. December 1. 2 p m.. Centuries & Sleuths Bookstore. 7419 W. Madison. Forest Park. Tuesday. December 4. 7 p m.. Barnes & Noble. Old Orchard Shopping bear on. Skokie. Mystery novels make great holiday gifts. Especially when they’re autographed. And most especially when they’re by me.

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Related article:
http://henrykisor.com/blog/2007/11/17/buy-my-book-or-else/

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"Interview with WaterBrook Press Author Joanna Weaver" posted by ~Ray
Posted on 2008-03-18 23:44:36

I recently had the pleasure of interviewing Joanna Weaver author of Having a Mary Heart in a Martha World. Welcome. Joanna. Thank you so much for taking the time out of your busy schedule for this converse. Please briefly exposit for us your latest book. Having a Mary Heart in a Martha World actually came out seven years ago but WaterBrook Press is celebrating their tenth year in publishing by re-releasing it in a beautiful hardcover edition with two-color art inside. The text and the communicate remain the same and it still has a twelve-week Bible study included in the back but I think your readers ordain love the new be. I know I do! come up it all began with the desire to write biblical fiction. I've always been fascinated by the story of Mary and Martha in Luke 10. But as I looked at the be of their story open in John 11 and 12. I realized that there was much more than just a novel in these two sisters from Bethany. And as I began to outline the actual book. God reminded me of a call from a go I had attended many years before: "Having a Mary Heart in a Martha World." The speaker never even spoke about the theme but it stayed with me and resurfaced as I wrote the book. I remember thinking. "Well the book might stink but what a great call!" What do you be your readers to take away from this book?be one. I hope they come away with a deeper understanding of how very much they are loved by God - both Marys and Marthas alike. It isn't our personality type or change surface our giftings that matter. We are all invited to sit at Jesus' feet. I also hope readers will go away with a refreshed hunger to really truly know God -- not just about Him -- and with the tools to actually do it! I was 28 years old and an associate pastor's wife before I discovered the methods that helped me carve out a change intensity measure with the Lord. Because the bottom line is this: the Living Room Intimacy that our hearts long for will never come out of Kitchen Service busyness for God. But as we take measure to sit at His feet we ordain be "filled" so we can be "spilled"! For Kitchen Service always flows out of Living Room Intimacy. The closer we get to the heart of God we will discover that He loves populate and we will too! desire the branch when it is connected to the vine fruit ordain happen. We won't have to compel it it will flow out of our relationship with God. Where do you desire to write your books (in bed a coffee shop an office)? I love doing research in the midst of noise - a coffee obtain or at domiciliate in my recliner watching T. V. But that's where multi-tasking ends for me. For the actual writing process. I've found I need long uninterrupted chunks of measure and change intensity. I'm blessed to have a preserve who helps make that happen and parents who watch my five-year-old when I need to get away. While I'm writing more and more in my office my most productive writing is done in two-three day stretches away from home at some beautiful spots provided by friends. Jill Hart is the founder of. She is a contributing author to three non-fiction books writes a column for the and her article appear on sites like. Jill is also the editor of. tour Jill's and her.

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http://feeds.blogcritics.org/~r/bc/books/~3/185875763/113740.php

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"Frank Miller wins Best Comic Book Writer SpikeTV Scream Award for ..." posted by ~Ray
Posted on 2007-12-15 16:05:02

SpikeTV has the 2007 Scream allocate winners and congratulations to Frank Miller for receiving the beat Writer award for Frank Miller’s Robocop and All Star Batman & Robin.  If you haven’t seen stamp Miller’s Robocop yet you’re really missing out — in addition to the no-holds-barred Frank Miller story it’s also got a adjoin by Miller (and includes all his adjoin art from the series) the story was drawn by Juan Jose Ryp (currently of Black Summer fame) and the book is currently in create and available everywhere in change paperback.  So and ask your local comic book retailer or book hold on about it (isbn 1592910351).  If you can’t sight it locally you can also. This entry was postedon Saturday. October 20th. 2007 at 5:33 pmand is filed under. You can follow any responses to this entry through the feed. Both comments and pings are currently closed.

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"Book captures 'good ol' days'" posted by ~Ray
Posted on 2007-12-09 14:39:59

Your local news source :: Select a community or newspaper » If you are trying to arrive a page from a bookmark the page URL may have changed. gratify decide a community from the navigation at the top of this summon. If you are looking for an older news story it may no longer be here. Free archives of stories are maintained on our place for one month. If you still have affect finding what you need please contact our. If you are trying to reach a page from a bookmark the page URL may have changed. gratify decide a community from the navigation at the top of this page. If you are looking for an older news story it may no longer be here. remove archives of stories are maintained on our site for one month. If you comfort have trouble finding what you need please communicate our. If you are trying to reach a page from a bookmark the page URL may have changed. gratify decide a community from the navigation at the top of this page. If you are looking for an older news story it may no longer be here. Free archives of stories are maintained on our place for one month. If you still undergo affect finding what you need please contact our. Oak Park Leaves: | | | Affiliates: | | | | | Express Links: | | | | | | |

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"Quote, Unquote" posted by ~Ray
Posted on 2007-11-27 22:40:56

? I understand if populate didn’t like it if they didn’t act to what we were going for or plum didn’t undergo a good time while reading it … but does it really disappoint on every aim one can aspire to when creating comics? Is it illegible? Unreadable? Insulting to the readers’ collective intelligence?” comic a title that exists solely because Joss Whedon and John Cassady have enough of a grip on the nerd festival that they could get react to publish a comic where USAgent spent 22 pages making out with Fin Fang Foom is pretty much the holy archetype comic of all measure. Every air has clever dialog and big booming fights and it’s pretty comprehensible change surface though it only comes out every three months or so. That means it’s supposed to be really good right? Yet it still seems to lack a bit of the soul and imagination that shows up in lesser books. It might undergo something to do with it being about the X-Men a family of characters that’s about as unwelcoming to an uninformed reader as a watching untranslated cut soap operas would be to a confused Dallas Cowboys fan. Or maybe it’s just that Joss Whedon and John Cassady are both a little better than this kind of make tripe and their lack of ability to conceal their condescension comes across too aggressively.” “I think they’re pretty good at it. desire anything it’s a challenge when you’re selling books all over the world to act records desire that. But I think they’re pretty good. “One proof of that is that recently we felt our market share was increasing and that was reflected in Diamond’s reporting. Our merchandise share is going up this year which is great. So. I may be more skeptical of Diamond’s numbers if we’re desire. ‘Hey our sales are going up how go your information isn’t reflecting that?’ But it is. So. I evaluate it’s pretty on the money.” “If the right furnish came up sure. But my last trials with the comics companies were too corporate for my comprehend … endless pitching and proposals and then even going to assure on cram that would just get shelved before a evince of the actual comic was ever written and getting stiffed on any pay. So it kinda sucked. Too much red tape.” “come up. I’m shooting for at least five years actually but if it turns out to be longer than that. I’m book there too. I want to undergo the kind of run I had on “If you go to San Diego to do the Hollywood thing and make deals there’ll be a dearth of deal making. If you do deal you’re a skanky scab. “But since comics blogdom regularly resounds with the plaintive wail of cartoonist types who wish San Diego was all about floppies and graphic novels once again surely this is good news. Comics will rise ascendant (redundantly)! No Hollywood types! Whee! Won’t that be wonderful?” “It’s all well and good to create verbally ‘Achilles steps over the hill to find THE WHOLE OF THE TROJAN ARMY waiting for him!’ And dang you sent a cold cast down drink the editor’s spine for a back up — dude that’s so widescreen! But you just gave your artist a disperse or manifold summon spread that’s going to take a week to draw. Then you impel a bring together other doozies like that into the next couple of scenes and bam your book is shipping late or the editor now has to carry in other artists to help end the air on time. Now the book doesn’t have a cohesive be the artist feels like she’s let the publisher down and readers think she was being fiddle and that’s why extra elves had to be called in.” I consider ADD generally but the and its tone that he posted in response to Bernardin is really beneath his normal level of circumscribe. The fact he does not merely say “sorry for getting that wrong but I stick by the sell of my opinion” and instead goes so far as to imply that Bernardin “blames” ADD for the book’s failure is asinine not witty.

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http://blog.newsarama.com/2007/11/17/quote-unquote-37/

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"Taking Risks" posted by ~Ray
Posted on 2007-11-17 19:31:04

Writing at its best is a lonely life.  Organizations for writers apologise the writer’s loneliness but I disbelieve if they improve his writing.  He grows in public stature as he sheds his loneliness and often his bring home the bacon deteriorates.  For he does his bring home the bacon alone and if he is a good enough writer he must face eternity or the lack of it each day. That could be the first paragraph of a book about solitude and loneliness and why writing literature requires different measures of both. For a adjust writer each book should be a new beginning where he tries again for something that is beyond attainment.  He should always try for something that has never been done or that others have tried and failed.  Then sometimes with great luck he ordain succeed. How simple the writing of literature would be if it were only necessary to create verbally in another way what has been well written.  It is because we have had such great writers in the past that a writer is driven far out past where he can go out to where no one can help him. ait for the computer to map out scenes a credible climax and a denouement that resounds even after you undergo read the measure evince.    INTERVIEWER:  ”Sir your books undergo been described as ‘unclassifiable.’  Surely you have an idea of what it is you are trying to do.  Would you call your books novels?  Would you call them essays literary criticism or would you call them something else?” Whatever Vila-Matas’s books are they are not simple.  Finish one and you feel cause to be perceived maybe a little superior.  Natalia in Alberto Fuguet’s short story. “Road Story,” calls her preserve uncultured because he does not know who Vila-Matas is.  I confess that I too was uncultured until I stumbled upon a back-and-forth on a literary blog in the UK that listed the blogger’s favorite Spanish writers and began with “Vila-Matas of cover.”  Recently. Vila-Matas gave an.  The subjects were a mixture of the personal shop communicate and just plain funny.  Two brief selections from the Spanish original are followed by my translation into English – Para este libro escribí primero antes que todo el título. Exploradores del abismo. A continuación comencé a pensar historias que estuvieran relacionadas con el título. Y muy pronto comprendí que todo absolutamente todo lo que se me ocurriera todo lo que pensara iba a estar relacionado con ese título que abarcaba la comprensión de cualquier historia. For this book. I first wrote the title — Explorers of the Abyss. Then I started to think about stories that had some relation to the title. And very soon. I understood that everything absolutely everything that occurred to me everything that I thought of was going to be related to the call which encompasses the understanding of any story. comes to mind.  I guess that for every success there have been ten failures aesthetic exercises that are more tedious than satisfying that are “difficult for the sake of being difficult,” to ingeminate Jonathan Franzen’s opinion of Gaddis’s novels.  But there is no assay in rewriting what has already been written well is there?  Consequently there should not be much of a reward either. 

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http://www.gonzalobarr.com/blog/?p=264

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"Victoria Strauss -- Essential Reading" posted by ~Ray
Posted on 2007-11-09 21:12:48

move. alter now. It's an article by journalist Penni Crabtree of the San Diego and tells the sorry story of San Diego-based vanity publisher Ed Johnson (I'm quoted in the bind). In 1998. Johnson founded Simon & Northrop Publishing which charged writers thousands of dollars to publish reneged on promises and racked up a number of lawsuits and judgments before its articles of incorporation were suspended in 2004. In 2005. Johnson opened Martell Publishing which operated in pretty much the same way. Martell's phone has been disconnected and its website online as recently as July is gone. Johnson's story is classic Writer Beware material (for more stories desire it see the summon of Writer look out). He advertised for authors in out-of-state newspapers and in the Yellow Pages. He ran his publishing operation out of one room in a converted motel; according to a former employee he used pseudonyms and told lies to alter authors think he ran large publishing houses. Authors say he took their money and didn't produce books or produced books riddled with errors and formatting mistakes (one author got his "published" book in a spiral binder). When authors asked questions or pressed for information ,or got angry. Johnson simply vanished--not returning telecommunicate calls not answering emails or letters. He also didn't pay his bills. Authors and creditors sued resulting in a be of act judgments. Over the years Writer Beware received occasional questions about both Simon & Northrop and Martell. Based on what writers told us (especially the fact that they open the companies through ads) we were pretty certain they were vanity publishers. But believe it or not we never got a single complaint about either publisher. This may be strange given the apparent egregiousness of Johnson's behavior but I can evaluate of a bring together of possible reasons. First by running "writers wanted" ads. Johnson ensured that the writers who contacted him were among the most inexperienced and least knowledgeable--especially ripe in other words to be taken advantage of and less likely to charge. Second as vanity publishers go. Johnson doesn't seem to have been especially prolific. Simon & Northrop registered procure for just 27 books over its six years of existence; Martell didn't register any copyrights but a former employee estimates that 40 or 50 authors were left in the walk when the company vanished. Compare this with change state to 300 victims for cheat literary agent/vanity publisher Martha Ivery several hundred for scam agent/vanity publishers Charles and Dorothy Deering and thousands for fraudulent vanity publishers Commonwealth Publications and Northwest Publishing. Since Writer Beware typically hears only from a tiny calculate of populate who are hooked by any given plot the smaller and more stealthy schemes are much more likely to fly beneath our radar. This illustrates how vital it is to alter a complaint if a publisher--or an agent or an editor--does you do by. If any of the authors who won judgments against Johnson had contacted Writer look out or Preditors & Editors we'd have been able to list the publisher--with a "not recommended" on P&E or an Alert on the Writer Beware website. Writers researching the publisher on the Internet might undergo open these listings and thought twice about sending their money. We've got a file on Johnson now. If he starts up again under a different label we're hoping we'll hear about it.

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Related article:
http://accrispin.blogspot.com/2007/09/victoria-strauss-essential-reading_6078.html

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"Drinking and Writing" posted by ~Ray
Posted on 2007-11-03 15:44:02

It is no secret that writers drink.  A lot.  Tennessee Williams drank wine before writing.  John Mortimer has a glass of champagne.  Hemingway was a heavy drinker but only after he was done for the day.  Tom Dardis in his book. covers a much broader field including the free-for-all the delegates to the Constitutional Convention in 1787 enjoyed before voting on the final version.  Even so she cannot avoid writers – Mentioned are Johnson and Boswell. John Donne. Byron. Oscar Wilde. Evelyn Waugh. Hemingway. Fitzgerald. Dorothy Parker. Robert Benchley. Eugene O’Neill. Edmund Wilson. Thomas Wolfe. Hart Crane. Malcolm Lowry. Robert Lowell. John O’Hara. Kingsley Amis. And Dylan Thomas who defined an alcoholic as “someone you don’t like who drinks as much as you do.”    Writer attach Bailey and illustrator Edward Hemingway (Ernest Hemingway’s grandson) go one exceed in their by including recipes of drinks that undergo been associated with writers.  There’s the mojito for Hemingway the create from raw material julep for Faulkner and the gin rickey (surely not a commonly requested consume these days) for Fitzgerald.  What I like best about this fine book though are the quotes.  Here’s Fitzgerald – First you act a consume then the consume takes a drink then the consume takes you.

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http://www.gonzalobarr.com/blog/?p=126

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