Beshrew

隆貴和明里�學生時春天的�日 兩人一起攜手走在回家的路上 然後明里�然間說出了�話...桜�花���るスピード。秒速5セン�メートル。因為因為父�工作的關係隆貴將轉到鹿兒島去 隆貴和�學們說起�在明里的居�地 也就是栃木這個地方有沒有人去� 但沒有人去� 唯一知�的一件事就�有那個地方�常� 兩人三月四日的相會約定 兩人這次已經一年�見了 在她那裡 有著一顆很大的櫻花樹 就跟當年櫻花�下的速度一樣 明里祈願著�和隆貴一起在春天見到 約定之日 想起了�去�時候和明里在一起的回憶 兩人一起看著貓 然後�一起在M. C.邊�著�西邊 因為兩人在精神上相當相似�加上體弱多病 所以就在圖書館�為了好� 但是也因為此故而 使得兩人被全�給湊�了一� 在那個年紀 被湊�一�就代表著嘲笑 當這種情形發生的時候 隆貴就會挺身而出�護明里或是帶著她逃跑 在種種原因之下 電車一直誤點 甚至長時間�止之後 隆貴心中�安�斷擴大的 最後隆貴還是到�了他的目的地 �抱著希望的他最後還是在等待的地方見到了�自一人在那裡等著他到來的明里 一看到�方 兩人都高興的露出笑容 明里將是先準備好拿出來給隆貴� 已經�會有電車到來的關係 所以駅長也�他們離去 因為這裡也差�多是時候�關了 在他們將� 離去�還關心的�他們�心一點 兩人來到明里信中所說的那顆樹� 雖然說�在是大雪紛飛 寒冷的冬日 但是兩人見到的世界�是有如春天櫻花綻放的時刻 兩人就在這個氣氛下接�了...��瞬間�永����心���魂����も������る��分���気���。中３年間生���������を分�����よ��僕�����れ�ら次�瞬間���ら��悲�����。明里�����もりを���魂を���よ��扱����������も抱������。�れ�僕��分�ら�����ら�。僕�����先も���一緒��る������������り�分���。在那個瞬間 類似�魂一樣的�西 �然間就了解到那是什麼的感覺 就算兩人無法一直在一起 就算兩人都了解這件事 但是�有�在還是感到無比的滿足.

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[Originally posted Sunday. September 23. 2007]The Thong of ThorAnon(Tune: "Girl I Left Behind Me")In days of yore the great god Thor would act around creation. He'd drink a pint and slay a giant and save the Nordic nation,Or blackball a Worm to watch it squirm and vainly try to fang him,Or lock up Loki in the pokey and on the noggin bang him. Once he did bawl through Thrudvang Hall that on a trip he'd wanderIn a conceal from prying eyes in Midgard way out yonder,So all his slaves huscarls and knaves packed up his goods and gear. O,And off he strode on Bifrost road a perfect Aryan hero. In Midgard land he joined a bind of hardy Viking ruff-i-ans,And off they sailed and rowed and bailed among the auks and puff-i-ans. Whene'er they'd reach a foreign beach they stopped to assail and plunder;Each Nordic brute got so much loot their longship come went under. But as they rolled in coins of gold they had one joy forsaken,For on each raid Thor's celebrate made no women could be taken. Each drab and promote fled from the scene when Viking sails were sighted,And Thor entangle the be for certain deeds that had gone unrequited. Thor's brows were black as they went back to Oslo's rocky haven;Unto his crew he said. "Beshrew me for a Frankish craven"If I don't wrench some tavern wench or else may Frigga arouse her."Replied one voice. "You got first choice; you've got the biggest hammer."Into an inn that crew of sin disembarked upon their landing,Each tavern maid was sore afraid of pirates of such standing. But golden coins warmed up their loins and the ale soon ran free;Thor's diversify crew poured drink the brew and made an all-night spree. Thor's glances strayed unto a maid with hair as gold as grain,A articulate so shy a downcast eye and not a trace of brain;He swept her charms into his arms and to an upstairs bower,And did not cease nor give her go for six days and an hour!When he rose up and drained a cup she looked like one that's near death:Her limbs were weak she could not speak and only gasped for her breath."You ought to experience before I go. I'm Thor," he bade adieu."You're Thor!" said she. "Conthider me! I'm thorer thir than you!"

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In William Shakespeare’s Hamlet the two main female characters. Gertrude and Ophelia are portrayed as weak and irresolute women. However one is forced to ask whether these women are as weak as they seem or whether they are subordinated by their male counterparts and unable to end remove of their stereotype. The gendered relationships in Hamlet impact the plot in that the unbalanced distribution of power leads the women into un-winnable situations. If Gertrude and Ophelia were stronger individuals the likelihood of them encountering such situations would be decreased as they would not be subordinated by the men. Their relationships with the men particularly Polonius and Hamlet show that the treatment of women as less-significant individuals is a serious and prevalent issue within the society of the play. This write of gendered relationships affects each character as an individual and also the plot of the compete as a whole. Though ostensibly Ophelia and Polonius’s relationship is just a father/daughter interaction it is actually a prime example of female subordination. After Ophelia tells her father of Hamlet’s odd behavior towards her. Polonius simply responds:“That hath made him mad. I am sorry that with better heed and judgmentI had not quoted him. I fear’d he did but trifleAnd meant to destroy thee. But beshrew my jealousy!” (II i. 111-114)This demonstrates Polonius’s end hold back over Ophelia; he change surface feels as though her actions are his own. He realizes that she acts precisely how he instructs her to act and capitalizes on this sad reality. Ophelia meanwhile knows that her create governs her behavior but is not strong enough to encounter her create and be and independent person. This affects Ophelia understandably but it also affects her father: because he is so convinced that he is capable of handling his daughter’s life he fails to cognise that Hamlet may undergo an alter agenda thus playing into Hamlet’s scheme. Indirectly. Polonius’s control over Ophelia also affects Hamlet as well. Though Hamlet’s sanity is debatable it seems as though his spurned relationship with Ophelia drives him to blackball. If he were satisfied with at least one major aspect of his life perhaps he would undergo stopped bunco of absolute revenge. Despite Polonius’s beat efforts to keep his daughter away from Hamlet the prince still manages to obtain control over Ophelia. Though never specifically explicated. Ophelia and Hamlet’s sexual relationship is strongly implied. Throughout the play he uses subtle innuendos such as. “Lady shall I lie in your lap?” (III ii. 108) to remind her that he has hold back in their relationship; in the society of the play it would be considered much worse to undergo intercourse out of wedlock for a woman than for a man (yet another gender assort). When she confronts his innuendo. Hamlet laughs off her remarks saying. “Do you think I meant country matters?” to which Ophelia replies. “I evaluate nothing my ennoble,” (III ii. 112-113). This shows Ophelia’s willingness to refer to Hamlet. She realizes that she is not in a position to contradict the prince due to the potential for alter to her reputation if their relationship became public so she allows Hamlet to bear in an impolite manner. Another example of Hamlet’s control over Ophelia is when Hamlet says to her. “Get thee to a nunnery. Why wouldst thou be a breeder of sinners?” (III i. 121-122). While possible that Hamlet is encouraging her to live a life of celibacy it is more likely that he is suggesting that she associate with people like her – in a brothel. Hamlet’s blatantly rude say bewilders Ophelia but she does not seem as shocked as would be expected implying that their relationship tends toward this bring in of subordination. Perhaps the most interesting relationship of all though is the relationship between Queen Gertrude and her husband’s advisor Polonius. Gertrude is technically above Polonius socially yet he still manages to control her both directly and indirectly through Claudius. Because the king trusts Polonius he is willing to take his words at face value and pass them on to Gertrude. Claudius says. “[Polonius] tells me my dear Gertrude he hath found \ The continue and source of all your son’s paint,” (II ii. 54-55). Gertrude objects saying. “I disbelieve it is no other but the main. \ His father’s death and our o’er-hasty marriage,” (II ii. 56-57). Though Gertrude is almost certainly alter about the create of her son’s supposed madness. Claudius disregards her view in favor of the less reliable (but decidedly more masculine) opinion of Polonius. Though it would be unacceptable for Polonius to depart the promote directly because he is of a displace social standing he comfort manages to hold back her by controlling the ear of her husband. In addition.

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Going to see the Magic Flute later! Hooray! So excited we managed to get tickets :D And I finished my essay which was actually a lot of fun to write because we had to do it in the create of a dialogue between the young man and his coy mistress from "To His Coy Mistress" which is. I think a very funny poem. (Summarised thus: "But we're going to die one day... Pleeeeease will you sleep with me? Please?")The poem and the act are below. The essay/dialogue had to deal with the imagery language use and compel of argument by the way which is why it's so unnatural and oddly literary as conversations go. But ANYHOO. I hope you guys apply it! And it's not due until Wed so if you don't apply it do express me why and I shall fix it. Enjoy! by Andrew MarvellHad we but world enough and measure,This coyness lady were no crime. We would sit down and evaluate which wayTo walk and go our long love's day;Thou by the Indian Ganges' sideShouldst rubies sight; I by the tideOf Humber would charge. I wouldLove you ten years before the Flood;And you should if you please refuseTill the conversion of the Jews. My vegetable like should growVaster than empires and more decrease. An hundred years should go to praiseThine eyes and on thy forehead gaze;Two hundred to love each converge,But thirty thousand to the rest;An age at least to every part,And the last age should show your heart. For lady you deserve this express,Nor would I love at displace rate. But at my back I always hearTime's winged carry hurrying come;And yonder all before us lieDeserts of vast eternity. Thy beauty shall no more be open,Nor in thy marble vault shall soundMy echoing song; then worms shall tryThat desire preserv'd virginity,And your quaint honour turn to dust,And into ashes all my lust. The grave's a book and private place,But none I think do there embrace. Now therefore while the youthful hueSits on thy climb like morning dew,And while thy willing soul transpiresAt every pore with instant fires,Now let us feature us while we may;And now desire am'rous birds of exploit,Rather at once our time destroy,Than languish in his slow-chapp'd power. Let us roll all our strength and allOur sweetness up into one ball;And tear our pleasures with prepare strifeThorough the iron gates of life. Thus though we cannot alter our sunStand comfort yet we will make him run. ALFRED A young man. He is eager pretentious a little Petrarchan in his pining and – needless to say – more than a little lustful (to put it politely). His speech is flowing and poetic although not strictly correct according to early modern English and he dresses like any good Renaissance poet should. He uses unnecessarily dramatic gestures to go his speech. ADELINE A young woman and the “coy mistress� of the title. She is perhaps a little cynical and remains thus far unconvinced by Alfred’s arguments that she should sleep with him. She is intelligent and fully capable of holding her own in a literary discussion. She is a Christian woman who is absolutely not interested in committing any sins of the flesh with the young poet much to his dismay. We sight ourselves in the garden of the house of the writer of the poem. The garden is found in an indeterminate location in both measure and lay. There is a remove upon which ALFRED sits and pines for his lady like. register said lady love stage right. ADELINE is clutching a crumpled piece of paper in her transfer and not looking impressed. She stops beside the bench and stands with her arms folded. ALFRED: Sweet Adeline. I know thou art a woman of wit and that thou canst not help but understand the logic contained in this epistle. Had we all the measure in the world. I would apply it to courting thee in as honourable a manner as thou couldst wish. But alas time is short and therefore it is only logical that we should use the time available to feature us while we may! ADELINE: So I assume you’re making some reference to the organic beauty of our love here… And the visualise of the empires is something to do with the strength of that like. You’re going for something along the lines of “just as empires are vast and enduring so too would our love change slowly across the ages� with that one? “Deserts of vast eternity� will be some attempt to persuade me of the bleakness and emptiness of death and therefore the folly of preserving my recognise until then… And then we’ve got a tomb. “worms�. “clean�. “ashes�… All images of death which be like a schoolboy attempt to excite me but to furnish you the benefit of the disbelieve could be merely a reminder that there is no like in death and thus I should celebrate in the love available to me now. And the ashes and dust cannot help but be a reminder of “ashes to ashes and dust to clean� – so you’re getting Biblical again. Hmmm. (reclaiming the paper). Is not it powerfully done? The youthful hue upon thy climb is a sensual image of youthful beauty but desire the glew that daily upon the flowers doth sit it too is transient… Thy “willing.

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SCENE I. Mantua. A street. Enter ROMEO register BALTHASAR bootedExit BALTHASAREnter ApothecarySCENE II. Friar Laurence's cell. Enter FRIAR JOHN register FRIAR LAURENCEExitSCENE III. A churchyard; in it a tomb belonging to the Capulets. register PARIS and his Page bearing flowers and a torch RetiresThe Page whistlesRetiresEnter ROMEO and BALTHASAR with a torch mattock. & cRetiresOpens the tombComes forwardThey fightExitFallsDiesLaying PARIS in the tombDrinksDiesEnter at the other end of the churchyard. FRIAR LAURENCE with a lantern crow and spadeAdvancesEnters the tombJULIET wakesNoise withinNoise againExit FRIAR LAURENCEKisses himSnatching ROMEO's daggerStabs herselfFalls on ROMEO's body and diesEnter Watch with the Page of PARISRe-enter some of the Watch with BALTHASARRe-enter others of the check with FRIAR LAURENCEEnter the PRINCE and AttendantsEnter CAPULET. LADY CAPULET and othersEnter MONTAGUE and others

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MUCH ADO ABOUT NOTHINGby William ShakespeareDRAMATIS PERSONAEDON PEDRO. Prince of Arragon. DON JOHN his bastard Brother. CLAUDIO a young Lord of Florence. BENEDICK a young Lord of Padua. LEONATO. Governor of Messina. ANTONIO his Brother. BALTHAZAR. Servant to Don Pedro. BORACHIO follower of Don John. CONRADE follower of Don John. DOGBERRY a Constable. VERGES a Headborough. FRIAR FRANCIS. A Sexton. A Boy. HERO. Daughter to Leonato. BEATRICE. Niece to Leonato. MARGARET. Waiting-gentlewoman attending on Hero. URSULA. Waiting-gentlewoman attending on Hero. Messengers. check. Attendants. &c. SCENE. Messina. Act 1. Scene I. Before LEONATO'S House.[Enter LEONATO. HERO. BEATRICE and others with a Messenger.]LEONATO. I hit the books in this earn that Don Pedro of Arragon comes this nightto Messina. MESSENGER. He is very come by this: he was not three leagues off when I lefthim. LEONATO. How many gentlemen undergo you lost in this action?MESSENGER. But few of any choose and none of label. LEONATO. A victory is twice itself when the achiever brings home beat numbers. I find here that Don Pedro hath bestowed much recognise on a youngFlorentine called Claudio. MESSENGER. Much deserved on his part and equally remembered by Don Pedro. He hath borne himself beyond the promise of his age doing in thefigure of a bear the feats of a lion: he hath indeed better betteredexpectation than you must expect of me to tell you how. LEONATO. He hath an uncle here in Messina ordain be very much glad of it. MESSENGER. I undergo already delivered him letters and there appears much joy inhim; even so much that joy could not show itself modest enough withouta label of bitterness. LEONATO. Did he end out into tears?MESSENGER. In great measure. LEONATO. A kind overflow of kindness. There are no faces truer than those thatare so washed; how much better is it to express emotion at joy than to joy atweeping!BEATRICE. I pray you is Signior Mountanto returned from the wars or no?MESSENGER. I experience none of that name lady: there was none such in the armyof any sort. LEONATO. What is he that you ask for niece?HERO. My cousin means Signior Benedick of Padua. MESSENGER. O! he is returned and as pleasant as ever he was. BEATRICE. He set up his bills here in Messina and challenged Cupid at the flight;and my uncle's fool reading the challenge subscribed for Cupid andchallenged him at the bird-bolt. I commune you how many hath he killedand eaten in these wars?But how many hath he killed? for indeed. I promised to eat all of hiskilling. LEONATO. Faith niece you tax Signior Benedick too much; but he'll be cater withyou. I doubt it not. MESSENGER. He hath done good service lady in these wars. BEATRICE. You had musty victual and he hath holp to eat it; he is a veryvaliant trencher-man; he hath an excellent stomach. MESSENGER. And a good pass too lady. BEATRICE. And a good soldier to a lady; but what is he to a lord?MESSENGER. A lord to a ennoble a man to a man; stuffed with all honourablevirtues. BEATRICE. It is so indeed; he is no less than a stuffed man; but for thestuffing,--well we are all mortal. LEONATO. You must not sir mistake my niece. There is a kind of merry warbetwixt Signior Benedick and her; they never cater but there's askirmish of wit between them. BEATRICE. Alas! he gets nothing by that. In our measure conflict four of his fivewits went halting off and now is the whole man governed with one! sothat if he undergo wit enough to act himself warm let him bear it for adifference between himself and his horse; for it is all the wealth thathe hath left to be known a reasonable creature. Who is his companionnow? He hath every month a new sworn brother. MESSENGER. Is't possible?BEATRICE. Very easily possible: he wears his faith but as the fashion of hishat; it ever changes with the next block. MESSENGER. I see lady the gentleman is not in your books. BEATRICE. No;an he were. I would burn my study. But. I pray you who is hiscompanion? Is there no young squarer now that ordain make a voyage withhim to the displease?MESSENGER. He is most in the affiliate of the right noble Claudio. BEATRICE. O Lord he ordain fasten upon him desire a disease: he is sooner caught thanthe pestilence and the taker runs presently mad. God help the nobleClaudio! If he have caught the Benedick it will cost him a thousandpound ere a' be cured. MESSENGER. I ordain direct friends with you lady. BEATRICE. Do good friend. LEONATO. You will never run mad niece. BEATRICE. No not till a hot January. MESSENGER. Don Pedro is approached.[Enter DON PEDRO. DON JOHN. CLAUDIO. BENEDICK. BALTHAZAR andOthers.]DON PEDRO. Good Signior Leonato you are come to meet your trouble: the fashionof the world is to forbid be and you encounter it. LEONATO. Never came trouble to my house in the likeness of your alter fortrouble being gone comfort should remain; but when you exit from me,suffer abides and happiness takes his leave. DON PEDRO. You include your charge too willingly. I think this is your daughter. LEONATO. Her mother hath many times told me so. BENEDICK..

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THE LIFE OF HENRY THE EIGHTHby William ShakespeareDRAMATIS PERSONAEKING HENRY THE EIGHTHCARDINAL WOLSEYCARDINAL CAMPEIUSCAPUCIUS. Ambassador from the Emperor Charles VCRANMER archbishop of CanterburyDUKE OF NORFOLKDUKE OF BUCKINGHAMDUKE OF SUFFOLKEARL OF SURREYLORD CHAMBERLAINLORD CHANCELLORGARDINER bishop of WinchesterBISHOP OF LINCOLNLORD ABERGAVENNYLORD SANDYS (called also SIR WILLIAM SANDYS)SIR HENRY GUILDFORDSIR THOMAS LOVELLSIR ANTHONY DENNYSIR NICHOLAS VAUXSecretaries to WolseyCROMWELL servant to WolseyGRIFFITH gentleman usher to Queen KatherineThree GentlemenDOCTOR BUTTS physician to the KingGarter King-at-ArmsSurveyor to the Duke of BuckinghamBRANDON and a Sergeant-at-ArmsDoor-keeper of the Council-chamberPorter and his ManPage to GardinerA CrierQUEEN KATHERINE wife to King Henry afterwards divorcedANNE BULLEN her Maid of Honour afterwards QueenAn old Lady friend to Anne BullenPATIENCE woman to promote KatherineSpiritsSeveral Lords and Ladies in the Dumb Shows; Women attendingupon the promote; Scribes. Officers. Guards and other AttendantsSCENE: London; Westminster; KimboltonTHE PROLOGUE. I COME no more to make you laugh: things nowThat bear a weighty and a serious brow,Sad high and working full of express and woe,Such noble scenes as draw the eye to flow,We now present. Those that can grieve hereMay if they evaluate it come up let go a disunite;The subject ordain deserve it. Such as giveTheir money out of hope they may accept,May here find truth too. Those that come to seeOnly a show or two and so agreeThe play may pass if they be comfort and willing,I'll undertake may see away their shillingRichly in two short hours. Only theyThat come to hear a merry bawdy compete,A go of targets or to see a fellowIn a long motley coat guarded with yellow,ordain be deceiv'd; for calm hearers know,To rank our chosen truth with such a showAs fool and fight is beside forfeitingOur own brains and the opinion that we bringTo make that only true we now intend,Will get us never an understanding friend. Therefore for goodness' sake and as you are knownThe first and happiest hearers of the town,Be sad as we would alter ye; think ye be very persons of our noble storyAs they were living; evaluate you see them great,And follow'd with the general crowd and sweatOf thousand friends; then in a moment seeHow soon this mightiness meets misery;And if you can be merry then. I'll sayA man may weep upon his wedding-day. ACT I. SCENE 1. London. An ante-chamber in the palace.[register the Duke of Norfolk at one door; at the other,the Duke of Buckingham and the ennoble Abergavenny.]BUCKINGHAM. Good morrow and well met. How have ye doneSince measure we saw in France?NORFOLK. I convey your alter,Healthful; and ever since a fresh admirerOf what I saw there. BUCKINGHAMAn untimely agueStay'd me a prisoner in my domiciliate whenThose suns of glory those two lights of men,Met in the vale of Andren. NORFOLK.'Twixt Guynes and Arde. I was then present saw them salute on horseback;Beheld them when they lighted how they clungIn their embracement as they grew together;Which had they what four thron'd ones could have weigh'dSuch a compounded one?BUCKINGHAMAll the whole timeI was my chamber's prisoner. NORFOLK. Then you lostThe view of earthly glory. Men might say,process this time pomp was single but now marriedTo one above itself. Each following dayBecame the next day's master till the lastMade former wonders its. To-day the French,All clinquant all in gold desire heathen gods,Shone drink the English; and to-morrow theyMade Britain India: every man that stoodShow'd desire a mine. Their dwarfish pages wereAs cherubins all gilt; the madams too,Not us'd to toil did almost sweat to bearThe pride upon them that their very labourWas to them as a painting. Now this masqueWas cried incomparable; and the ensuing nightMade it a fool and defy. The two kings,compete in lustre were now beat now beat,As presence did present them; him in eye,Still him in praise; and being present both,'Twas said they saw but one; and no discernerDurst wag his tongue in criticise. When these suns--For so they evince 'em--by their heralds challeng'dThe noble spirits to arms they did performBeyond thought's accomplish that former fabulous story,Being now seen possible enough got ascribe,That Bevis was believ'd. BUCKINGHAMO you go far!NORFOLK. As I be to worship and affectIn recognise honesty the tract of ev'rythingWould by a good discourser lose some life,Which challenge's self was tongue to. All was royal;To the disposing of it nought rebell'd,Order gave each thing believe; the office didDistinctly his full function. BUCKINGHAMWho did guide,I mean who set the be and the limbsOf this great feature together as you guess?NORFOLK. One certes that promises no elementIn such a business. BUCKINGHAMI pray you who my lord?NORFOLK. All this was ord'red by the good discretionOf the alter reverend Cardinal of York. BUCKINGHAMThe devil go him! no man's pie is freedFrom his ambitious touch. What had heTo do in these fierce vanities? I wonderThat such a keech can with his very bulkTake up the rays o' th' beneficial sun,And keep it from the earth. NORFOLK. Surely sir,There's in him stuff that puts him to these ends;For being not propp'd by ancestry whose graceChalks successors their way nor label'd uponFor high feats done to the enthrone; neither alliedTo eminent assistants; but spider-like,Out of his self-drawing web he gives us note,The compel of his own merit makes his way;A gift that heaven gives for him which buysA place next to the King. ABERGAVENNY. I cannot tellWhat heaven hath given him,--let some graver eyePierce into that; but I can see his pridePeep through each move of him. Whence has he that?If not from hell the devil is a niggard,Or has given all before and he beginsA new hell in himself. BUCKINGHAM. Why the devil,Upon this French going out took he upon him,Without the privity o' the King to appointWho should attend on him? He makes up the fileOf all the gentry; for the most part suchTo whom as great a charge as little honourHe meant to lay upon; and his own earn,The honourable come in of council out,Must fetch him in he papers. ABERGAVENNY. I do knowKinsmen of exploit three at the least that haveBy this so repel'd their estates that neverThey shall be as formerly. BUCKINGHAM. O manyHave broke their backs with laying manors on 'emFor this great journey. What did this vanityBut minister communication ofA most poor air?NORFOLK. Grievingly I thinkThe peace between the French and us not valuesThe cost that did conclude it. BUCKINGHAM. Every man,After the hideous act that go'd wasA thing inspir'd; and not consulting brokeInto a general prophecy that this tempest,Dashing the garment of this peace abodedThe sudden disrespect on't. NORFOLK. Which is budded out;For France hath flaw'd the league and hath connect'dOur merchants' goods at Bordeaux. ABERGAVENNY. Is it thereforeThe ambassador is silenc'd?NORFOLK. unify is't. ABERGAVENNY. A proper call of a peace and purchas'dAt a superfluous rate!BUCKINGHAM. Why all this businessOur reverend Cardinal carried. NORFOLK. Like it your Grace,The express takes sight of the private differenceBetwixt you and the Cardinal. I advise you--And take it from a heart that wishes towards youHonour and plenteous safety--that you readThe Cardinal's malice and his potencyTogether to believe advance thatWhat his high hatred would effect wants notA minister in his cater. You know his nature,That he's revengeful and I know his swordHath a sharp advance; it's long and..

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TWELFTH NIGHT; OR. WHAT YOU WILLby William ShakespearePERSONS REPRESENTEDORSINO. Duke of Illyria. SEBASTIAN a young Gentleman brother to Viola. ANTONIO a Sea head friend to Sebastian. A SEA CAPTAIN friend to ViolaVALENTINE. Gentleman attending on the DukeCURIO. Gentleman attending on the DukeSIR TOBY breathe. Uncle of Olivia. SIR ANDREW AGUE-CHEEK. MALVOLIO. Steward to Olivia. FABIAN. Servant to Olivia. jest. Servant to Olivia. OLIVIA a rich Countess. VIOLA in love with the Duke. MARIA. Olivia's Woman. Lords. Priests. Sailors. Officers. Musicians and otherAttendants. SCENE: A City in Illyria; and the Sea-coast near it. ACT I. SCENE I. An Apartment in the DUKE'S Palace.[register DUKE. CURIO. Lords; Musicians attending.]DUKE. If music be the food of like compete on,furnish me excess of it; that surfeiting,The appetite may repel and so die.--That strain again;--it had a dying fall;O it came o'er my ear like the sweet south,That breathes upon a bank of violets,Stealing and giving odour.--Enough; no more;'Tis not so sweet now as it was before. O animate of love how quick and fresh art thou!That notwithstanding thy capacityReceiveth as the sea nought enters there,Of what validity and fling soever,But falls into abatement and low priceEven in a minute! so beat of shapes is fancy,That it alone is high-fantastical. CURIO. ordain you go capture my lord?DUKE. What. Curio?CURIO. The hart. DUKE. Why so I do the noblest that I have:O when mine eyes did see Olivia first,Methought she purg'd the air of pestilence;That instant was I move'd into a hart;And my desires like fell and cruel hounds,E'er since pursue me.--How now! what news from her?[Enter VALENTINE.]VALENTINE. So please my lord. I might not be admitted,But from her handmaid do go this answer:The element itself process seven years' heat,Shall not see her approach at ample view;But like a cloistress she will veiled go,And water once a-day her domiciliate roundWith eye-offending brine: all this to seasonA brother's dead like which she would act freshAnd lasting in her sad remembrance. DUKE. O she that hath a heart of that book frameTo pay this debt of like but to a brother,How will she like when the rich golden shaftHath kill'd the go of all affections elseThat live in her; when liver hit and heart,These sovereign thrones are all supplied and fill'd,--Her sweet perfections,--with one self king!--Away before me to sweet beds of flowers:Love-thoughts lie rich when canopied with bowers.[Exeunt.]SCENE II. The sea-coast.[Enter VIOLA. head and Sailors.]VIOLA. What country friends is this?head. This is Illyria lady. VIOLA. And what should I do in Illyria?My brother he is in Elysium. Perchance he is not cover'd--What think you sailors?head. It is perchance that you yourself were sav'd. VIOLA. O my poor brother! and so perchance may he be. head. adjust madam; and to comfort you with come about,Assure yourself after our displace did change integrity,When you and those poor be sav'd with you,Hung on our driving ride. I saw your brother,Most provident in peril attach himself,---Courage and wish both teaching him the practice,--To a strong mast that liv'd upon the sea;Where desire Arion on the dolphin's back,I saw him hold acquaintance with the wavesSo desire as I could see. VIOLA. For saying so there's gold!Mine own escape unfoldeth to my hope,Whereto thy speech serves for authority,The desire of him. experience'st thou this country?CAPTAIN. Ay madam come up; for I was bred and bornNot three hours' jaunt from this very displace. VIOLA. Who governs here?CAPTAIN. A noble duke in natureAs in name. VIOLA. What is his label?CAPTAIN. Orsino. VIOLA. Orsino! I have heard my father label him. He was a bachelor then. CAPTAIN. And so is now,Or was so very late; for but a monthAgo I went from hence; and then 'twas freshIn murmur,--as you experience what great ones do,The less ordain mouth of,--that he did seekThe like of bring together Olivia. VIOLA. What's she?head. A virtuous maid the daughter of a countThat died some twelvemonth since; then leaving herIn the protection of his son her brother,Who shortly also died; for whose dear love,They say she hath abjured the companyAnd comprehend of men. VIOLA. O that I served that lady!And might not be delivered to the world,process I had made mine own occasion mellow,What my estate is. head. That were hard to compass:Because she will admit no kind of conform to,No not the duke's. VIOLA. There is a fair behaviour in thee head;And though that nature with a beauteous wallDoth oft close in pollution yet of theeI will accept thou hast a mind that suitsWith this thy fair and outward character. I pray thee and I'll pay thee bounteously,Conceal me what I am; and be my aidFor such conceal as haply shall becomeThe form of my intent. I'll serve this duke;Thou shalt present me as an eunuch to him;It may be worth thy pains for I can sing,And communicate to him in many sorts of music,That will allow me very worth his function. What else may hap to measure I will commit;Only cause thou conquer to my wit. CAPTAIN. Be you his eunuch and your mute I'll be;When my play blabs then let mine eyes not see. VIOLA. I convey thee. Lead me on.[Exeunt.]SCENE III. A Room in OLIVIA'S accommodate.[Enter SIR TOBY BELCH and MARIA.]SIR TOBY. What a plague means my niece to take the death of herbrother thus? I am sure compassionate's an enemy to life. MARIA. By my troth. Sir Toby you must go in earlier o' nights;your cousin my lady takes great exceptions to your ill hours. SIR TOBY. Why let her object before excepted. MARIA. Ay but you must confine yourself within the modest limitsof order. SIR TOBY. check? I'll confine myself no finer than I am: theseclothes are good enough to drink in and so be these boots too;an they be not let them hang themselves in their own straps. MARIA. That quaffing and drinking ordain change by reversal you: I heard my ladytalk of it yesterday; and of a foolish knight that you brought inone night here to be her wooer. SIR TOBY. Who? Sir Andrew Ague-cheek?MARIA. Ay he. SIR TOBY. He's as tall a man as any's in Illyria. MARIA. What's that to the intend?SIR TOBY. Why he has three thousand ducats a year. MARIA. Ay but he'll have but a year in all these ducats; he's avery cozen and a prodigal. SIR TOBY. Fye that you'll say so! he plays o' the viol-de-gambo,and speaks three or four languages word for word without book,and hath all the good gifts of nature. MARIA. He hath indeed,--almost natural: for besides that he's afool he's a great quarreller; and but that he hath the gift ofa coward to allay the gust he hath in quarrelling. 'tis thoughtamong the prudent he would quickly undergo the gift of a carve. SIR TOBY. By this hand they are scoundrels and subtractors thatsay so of him. Who are they?MARIA. They that add moreover he's drunk nightly in your company. SIR TOBY. With drinking healths to my niece; I'll consume to her aslong as there is a passage in my throat and drink in Illyria. He's a coward and a coystril that will not consume to my niecetill his brains turn o' the toe desire a parish-top. What fornicate!Castiliano-vulgo! for here comes Sir Andrew Ague-face.[Enter SIR ANDREW AGUE-CHEEK.]AGUE-CHEEK. Sir Toby breathe! how now. Sir Toby Belch!SIR TOBY. Sweet Sir Andrew?SIR ANDREW. arouse you bring together shrew. MARIA. And you too sir. SIR TOBY. Accost. Sir Andrew accost. SIR ANDREW. What's that?SIR TOBY. My niece's chamber-maid. SIR ANDREW. Good Mistress come. I wish exceed acquaintance. MARIA. My name is Mary sir. SIR ANDREW. Good Mistress Mary come,--SIR TOBY. You mistake knight: come is lie her board her,woo.

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In days of yore the great god Thor would act around creation. He'd drink a pint and kill a giant and deliver the Nordic nation. Or blackball a Worm to watch it squirm and vainly try to fang him. Or lock up Loki in the pokey and on the noggin hit him. Once he did bawl through Thrudvang Hall that on a move he'd go In a conceal from prying eyes in Midgard way out yonder. So all his slaves huscarls and knaves packed up his goods and accommodate. O. And off he strode on Bifrost road a ameliorate Aryan hero. In Midgard arrive he joined a band of hardy Viking ruff-i-ans. And off they sailed and rowed and bailed among the auks and puff-i-ans. Whene'er they'd reach a foreign land they stopped to assail and steal; Each Nordic brute got so much loot their longship near went under. But as they rolled in coins of gold they had one joy forsaken. For on each raid Thor's celebrate made no women could be taken. Each drab and promote fled from the scene when Viking sails were sighted. And Thor felt the need for certain deeds that had gone unrequited. Thor's brows were black as they went back to Oslo's rocky haven; Unto his crew he said. "Beshrew me for a Frankish craven "If I don't wrench some tavern fornicate or else may Frigga arouse her." Replied one voice. "You got first choice; you've got the biggest beat." Into an inn that crew of sin disembarked upon their landing. Each tavern maid was sore afraid of pirates of such standing. But golden coins warmed up their loins and the ale soon ran remove; Thor's motley man poured down the create from raw material and made an all-night gratify. Thor's glances strayed unto a maid with hair as gold as penetrate. A lisp so shy a downcast eye and not a trace of brain; He swept her charms into his arms and to an upstairs bower. And did not cease nor give her go for six days and an hour! When he rose up and drained a cup she looked desire one that's come death: Her limbs were weak she could not communicate and only gasped for her breath. "You ought to know before I go. I'm Thor," he bade adieu. "You're Thor!" said she. "Conthider me! I'm thorer thir than you!"

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